Catalog: Fine Art: Paintings: Miniatures (328)

A signed Hyacinthe Mercier miniature portrait, painted on natural wafer. The beautifully rendered sitter is a pleasant looking woman wearing a lace bonnet with lavender and light blue bows, and a dark blue robe or gown. "Mercier 1824" in script along the right side.

The painting is in excellent condition, with some rough edges which do not show while the piece is in its period bronze frame. Sight size is 2 3/8" by 1 7/8", with a frame size of 2 3/4" by 2 1/4"...

A nicely painted miniature portrait, on natural wafer, of a fashionably attired gentleman. The sitter is wearing a white shirt and stock, a black coat with velvet lapels, and a gray vest with black polka dots. Presented in a period, and possibly original, ebonized frame.

No cracks, chips, restoration or other condition issues. Sight size is 2 1/2" by 1 3/4", and the frame size is 4 3/8" by 3 3/8".

A rare and signed portrait miniature by Charles Byrne. Done in an almost impressionistic style, the sitter is a blue-eyed woman simply presented in a white gown with fur trimming along the top edge. She is posed against a gauzy white background with blue tints to complement her eyes.

The miniature has a sight size of 2 1/2" by 2" and is in excellent condition...

A finely painted portrait miniature, on natural wafer, of a bespectacled officer of the 7th Bengal Native Infantry of the Honourable East India Company. Done in vibrant colors and wonderful; detail, the work can be strongly attributed to Raja Jivan Ram. Works from this period in this style by Indian artists are quite uncommon and highly collected. More specifically, very few works by Ram are in private hands.

The painting here is in overall excellent condition, with no chips, cracks, or bowing...

A fine pair of strongly painted miniature portraits done on natural wafer. Based on the technique and the area in which the sitters lived (Cincinnati), a strong attribution to Richard Verbrick can be made.

The woman is finely attired in a black puffy sleeved dress with lace at the collar and a wide black belt. Her jewelry includes a brooch at her neckline and earrings, with a tortoiseshell comb in her hair...

A nice naïve portrait of a woman, painted in watercolors on organic wafer. The sitter is simply presented in a black dress with lace edging at the bodice. An interesting twist is the fragment of a business card in the back of the case. It says "Painter ***wich City CT" (Norwich City)...

A miniature portrait, done in watercolor and gouache on organic wafer, of a young man, well portrayed by the artist to capture his power and possible arrogance. The hazel-eyed sitter is shown in a casual pose, wearing a dark jacket and white ascot.

The condition is excellent, with no cracks, bowing, or paint loss. Presented in a cast bronze frame without glazing the sight size is 2 1/8" by 1 5/8", with an overall size of 4 1/2" by 3".

Painted in watercolor on organic material, with the sitter attired in a black coat, vest, and stock, and sporting a stickpin. In a wood frame with fragments on the back possibly indicating the artist and/or the sitter.

Very good condition with no chips, cracks, bowing, or restoration. Sight size is 2 1/4" by 1 13/16", and the framed size is 3 7/8" by 3 3/8".

A wonderful portrait miniature of an attractive young woman, painted in watercolor and gouache on organic wafer. The sitter, set against a bluish gray background, has a tortoiseshell comb in her hair and is wearing a black dress with lace at the cuffs and at the neckline. Pearl earrings and gold chains complete her ensemble.

The painting is in excellent condition, with no flaws...

A beautiful and charming portrait on porcelain, painted, and signed on the reverse, by the well-known English artist, William Corden. The sitter is a young girl in a pretty white dress trimmed in blue, with matching shoes and necklace. She is seated in front of a red drapery, holding a basket of flowers, with several scattered by her side on the chaise-longue. signed on the reverse...

A wonderful miniature by Daniel Dickinson of a handsome gentleman. The sitter is dressed in the height of fashion for the time, wearing a blue jacket with velvet lapels. Note the broadness of the brush strokes and chiseled modeling of the face, both characteristics of Daniel's style, contrasting with his brother Anson's work.

The frame deserves special mention, being gilt silver with a 14K gold back and central plaque with "AM" initials. It is quite thick and weighs about 3 1/2 ounces...

A nicely rendered painting of a satyr and nymphs, a classical mythological motif, done in watercolor on natural wafer.

In overall very good condition with some minor paint loss at the very edge at the top left of the work. There is a very tight line on the center far right that does not affect any of the figures. The white area at the center bottom is due to light reflection and is not present when viewing in person...

An unusual miniature portrait, done by firing enamel on glass. This combination of subject matter, style, medium, and technique is quite rare for this period and area. The sitter is a quite handsome man in a black coat with a white shirt, vest and tie. He is posed on a red chair in front of a drapery done in hues shading from red to orange. In the center left is a window view of hills, a river and two ships.

The frame is original, and bears the label of F.A. Wenderoth of Phila...

A portrait miniature done by Moses B. Russell and I wish I could say more about this painting or the sitter, but the original backing paper, where Russell signed and often threatened people (incorrectly) not to remove the paper, has been removed. However, the painting was clearly done by Russell and closely mirrors one in the Metropolitan Museum. Excellent condition (any apparent problems in the photo are due to reflections) and presented in a 2 3/4" by 2 1/4" gilt metal case with a lock of hair...

A striking and colorful R. Mills miniature portrait of a blue-eyed blonde woman. The subject is wearing a white gown with lace edging and balloon sleeves, a blue necklace and sash belt. Those colors nicely complement the carefully chosen background, which is blue with pink tinges, which also complements her ruddy or over-rouged cheeks.

The painting is signed on the backing paper "Painted by Rd Mills Birmingham 1829" and is housed in a 4 1/4" by 3 5/8" bronze frame. The painting itself mea...

A mourning portrait miniature by Elizabeth (Eliza) Goodridge. The work, painted in watercolor on natural wafer, is a depiction of a young boy's head issuing from a cloud beneath. Presented in a period, and probably original, case with a glazed, but empty, aperture on the reverse.

The condition is excellent, with no flaws, as is that of the case. The overall size is 2 1/2" by 2 1/16".

NOTES: 1. Eliza Goodridge (1798-1882) was born in Templeton, MA, and spent her younger years there and in the...

A nicely painted miniature portrait of a blue-eyed older woman with a strong yet kindly bearing. To be more specific, the sitter is identified on the reverse as "Grandmother ??? Berry (Agnes Eman)  Bel??? Scotland".  Agnes is shown in a squared away pose, looking directly at the viewer, and with an expression indicating she might be wistfully revisiting  past memories. 

  The painting is in excellent condition, and presented in a 2 1/2" by 2" metal covered hand worked wood frame, almos...

An uncommon c1840 miniature by Richard Morrell Staigg, signed lower right. The sitter is a blue-eyed young woman, simply posed in a black dress with lace edging at the bodice. Presented in 1/2 of a dag case. The sight size is 3" by 2 1/4".

BIOGRAPHICAL NOTE: Richard Morrell Staig was born in England in 1817 and moved to the U.S. in 1831, first settling in Newport, RI. While there, Staigg studied under Jane Stuart, Gilbert Stuart's daughter. He then moved to Boston where he maintained a stu...