Catalog (181)

A charming first half 19th centrury miniature of a young woman. The exceptional thing about this piece is the wonderful high karat gold flip case with guilloche work (engine turning) on the front and back. The painting in this little gem is 1 1/8" in diameter and the case is 1 1/2" in diameter. Excellent condition.

An interesting portrait miniature, by William Baldwin, of a nattily attired gent. The sitter, with a very rakish look about him, is set against a bright blue background, has long thick hair, a soul patch, and is wearing a stickpin with multi-colored jewels. These are motifs, along with the use of a strong blue background, that seem to appear in a number of his minis, as uncommon as they are. In all, a strong and amusing painting, and possibly conjuring up visions of a Mississippi River gambler.

A superb pair of miniature portrait paintings done by Joseph Dunkerley. Labels on the reverse of each case identify the sitters as Joseph Packwood and Denise Wright Packwood, and are dated 1780.

Mrs. Packwood is wearing a large white hat with a blue ribbon and accents, a light blue gown with flowers embroidered on it and with dark lace edging at the bodice. Her husband is wearing a blue jacket and waistcoat, and a white cravat.

Excellent and scarce examples, and in fine condition. The gold...

A fine example of American folk art, painted by John Brewster Jr. on natural organic material. The sitter is a gentleman with light red hair and blue eyes. He is attired in a black coat, white vest, white ruffled shirt, and white silk cravat. The miniature is in its original case, the reverse with a glazed window containing a plait of hair atop which is a gold initial.

The condition is excellent, with no chips, cracks, bowing, paint loss, or restoration. The case is also in excellent condition...

Painted in watercolor on natural wafer, this is a lovely portrait of an attractive young woman. The sitter, with a mass of reddish-brown curls and light brown eyes, is attired in a white dress with a restrained ruffles. She is not wearing any jewelry or other adornments, and is presented simply against a white background. Clearly, Lovett has done this intentionally, along with painting this is a smooth, wash style, rather than the much more common stippling, in order to emphasize her pale beauty...

A superb Walter Robertson miniature portrait painting done in watercolor on natural organic material. The stately blue-eyed gentleman is wearing a powdered wig, blue jacket with gold buttons, salmon vest, and a white stock. The case for this fine piece is 14K gold, and the reverse has, under glass, 4 sections of hair set at right angles to one another.

The condition of both the painting and the case is excellent, with no issues whatsoever. The lighter sections near the edges of the mini...

A nice miniature painting done, in watercolor on natural material, by Ebenezer Mack. The sitter is dressed in a black jacket, and a white vest, shirt, and stock. Housed in its original gold case.

Although all of Mack's works are quite naïvely rendered, this example is even more primitive than most, indicating that it was done quite early in his career, probably in the 1785 time frame. His works are very rare, and he did not sign his paintings. His works have a similarity in some cases to tho...

An extremely fine watercolor and gouache on organic substrate miniature portrait done by Henry Benbridge, painted in his crisp, realistic style. The sitter is attired in a blue coat and a white ruffled shirt and collar, the fabrics of which are carefully and richly depicted, a characteristic of Benbridge's work. The surround to the painting is gold, while the original case, with a pin on the reverse, is gold filled.

Both the painting and the case are in excellent condition. The sight size of t...

A beautifully painted miniature portrait by Elkanah Tisdale. The sitter is a handsome older man dressed in a black coat. The painting measures 2 3/4" by 2 1/4", and is in superb condition, with no chips, cracks, bowing, paint loss, or restoration. It is housed in its original gilt metal insert.

Few miniatures by Tisdale are known to exist, and with very rare exception, are, as is the case here, unsigned.

BIOGRAPHICAL NOTE: Elkanah Tisdale (1771 - 1835) was born in CT and then moved ...

Confidently attributed to Edward Savage, this miniature portrait is painted on organic material. The sitter, who has a strong countenance and blue eyes, is wearing a deep blue coat with gold buttons, a white vest and shirt, and a white cravat.

The painting is in excellent condition, with no flaws, and is housed in a gilt copper case, the reverse of which has a glazed aperture containing woven plaits of hair.

BIOGRAPHICAL NOTE: Edward Savage (1761 in Princeton, Massachusetts – 1817 in Pri...

A finely painted miniature portrait, done in watercolor on organic substrate, by Pierre Henri. Done against a blue background, the sitter, a nice looking young gent with blue eyes and hair en queue, is wearing a brown coat with yellow lining.

The painting is in excellent condition, with no bowing, cracks, paint loss, or restoration. Set in a frame with a glazed blue material reverse. The sight size is 1 3/4" by 1 1/4".

Pierre Henri (c 1760 - 1822) was born in Paris and often went by the...

A nice example of a miniature portrait, painted by Nathaniel Hancock on organic material. The sitter is a woman in a blue gown with a lace edged bodice. The gold case has chamfered glass on the front, and the reverse identifies the sitter as "Ridgely 1791."

The condition of this little gem is very fine, with no flaws to speak of. There was some minimal clean-up of a few painting drips in the background. Overall size is 1 3/4" by 1 1/2".

BIOGRAPHICAL NOTE: Information about Hancock is rel...

Nicely executed miniature, on natural organic material, of a woman in bonnet and lace; enamelled frame; sight size 2 1/4" by 1 3/4"; slight paint rubbing at 5 o'clock

A fine miniature portrait painting, done in watercolor on natural organic material, by Hugh Bridport. The sitter is a gentleman, purportedly John Trigg. On the reverse of the painting is a preliminary sketch of the subject, which Bridport is known to have done. Only a portion of the sketch is shown, as I did not want to peel back all the paper.

The condition of the miniature is excellent, with no flaws at all. It is housed, with a cover glass, in a red leather wallet-type case. Sight size is 2...

A nicely done watercolor, on natural organic material, miniature painting by William Massey Stroud Doyle, signed and dated "1814" center left. The sitter is wearing a black coat, red-striped yellow vest, and white shirt. E. Grosvenor Paine provenance.

The painting is is excellent condition, with no chips, cracks, bowing, or other problems. The black lacquered frame does have crackling. The sight size is 2 5/8" by 2 1/8", and the framed size is 4 1/2" by 3 7/8".

NOTE: Doyle (1769 - 1828) was...

A finely painted American miniature portrait of a gentleman in a black jacket and tie, posed in front of a red drapery. What makes this highly unusual for a miniature cased portrait is that it is oil paint on wood, rather the the exceedingly more common watercolor on ivory or paper.

There is a very old note in the gilt metal case identifying the sitter as John Calvin Margin, born in 1790, the son of Curtis and Claire Margin, with a reference to Boston, Mass and Binghamton NY.

The painting ...

An extremely well painted American miniature portrait of a young boy wearing a black coat, white shirt and cravat. He is posed in front of a red drapery. Rather than being done as these miniatures usually were, in watercolor on ivory, this is a far rarer oil on copper example.

The painting is in excellent condition, and has just a slight bit of rubbing at a couple of spots where it meets the period stamped brass frame. Sight size is 2 5/16" by 1 7/8", while the framed size is 2 3/4" by 2...

A fine miniature painting, attributed to Jeremiah Paul, of a handsome brown-eyed man in a black coat and waistcoat, white shirt and cravat. The reverse of the gilt metal pendant case has a glazed aperture containing a wreath and plait of hair, one of which is most likely the sitters and the other of a loved one. E. Grosvenor Paine provenance.

Condition of the painting and the case are both excellent, without problems. Sight size is 2 5/8" by 2 3/8" and the case size is 2 7/8" by 2 5/8".

NOTE...