Catalog: Antiques: Decorative Art: Ceramics: English: Pottery (24)

Panelled and diaper molded border picked out in blue and green, handpainted and signed "P. Vissier", and dated 1769. The plate has two labels, one from the Newman collection, and the other from the Harriet Carlton Goldweitz collection, considered one of the finest English pottery collections of the last 25 years. 9 5/8 inches in diameter, superb condition with deep, vibrant color, and no chips, cracks, or restoration.

A tea cup, coffee cup, and saucer in Chamberlains Worcester pattern #153, gorgeously painted with roses and elaborate gilding. The bottom, of the saucer has an unusual gilded "P." mark.

The saucer has a 5 1/2" diameter, one cup is 2 1/2" tall with a rim diameter of 2 3/4" and a foot diameter of 2". The second cup is 2 5/8" tall with a rim diameter of 3 3/8" and a foot diameter of 2 1/4". Condition is excellent with no repairs or cracks. Some very minor tiny gilt losses...

Actually, this type ware is often mistakenly referred to as Leeds and featheredge. In reality, many factories other than Leeds made items of this nature, and the type edge here is more properly called a molded edge; elaborate raised tree and floral decoration; 10" diameter. Excellent condition.

A large (15 1/4" by 12") blue and white Staffordshire platter in the "Lakes of Killarney" pattern, maker unknown; beautifully bright and crisp (what appears to be a darkness on the platter in the photo is due to a lighting problem)

In referring to certain types of pottery, "Leeds" and "featheredge" are both common misnomers. People think of certain types of Staffordshire pottery as being Leeds while in actuality only a small portion was made by that factory.

Further, to be completely accurate, this platter is really what is known as "shell-edge", as opposed to featheredge. It is pearlware, made around 1810, and is an extremely large 17 3/4" by 13 1/4" in size...

These wonderful painted (some outlining is printed) plaques were done in the Staffordshire area of England in the late 18th century. They are 6 1/2" long and 4 1/2" wide. Each depicts a classical head in profile. It is uncommon to find a pair, especially in such wonderful condition. There are no chips, cracks or repairs of any kind, and the painting is vibrant and unscratched.

A truly stunning conical creamware mug, in pristine condition, with an applied polychrome figure of a man passed out on a keg of beer; 4" tall.

A charming example of an early English figure, probably from the Yorkshire area. The figure was decorated with colored glazes, predating the underglaze enamels...

An extremely rare and charming pottery figure, with colored glaze decoration, of a hyena or jackal. Condition is superb, with no flaws or damage at all. 3 1/4" tall.

An extremely fine example of a saltglaze plate with a scalloped rim and a molded, or embossed, border.

The diameter is 9 1/4" and the condition is excellent with no chips, cracks, or restoration. There are 3 very minor small brown spots on the front due to kiln impurities. It is very unusual to find them in this condition...

The standard reference book for this type figure is "Staffordshire Portrait Figures of the Victorian Era" by P.D. Gordon Hugh. The figure offered here is so rare that the book does not even show an example, although it does have information about the history underlying it...

A fine little dish in what is often called Leeds feather edge. Accurately speaking, this is not a true Leeds feather edge piece, but is an English pearlware pickle leaf dish with blue edge decoration. The terms Leeds and feather edge are, unfortunately, generally misused to describe any piece of pottery with a decorated edge...

This type ware is often mistakenly referred to as Leeds and feather edge. In reality, many factories other than Leeds made pearlware items of this nature, and the type edge here is more properly called a molded edge. This particular plate is marked with an impressed flower on the back. It has an elaborate raised tree and floral decoration.

10 " diameter, in excellent condition. with no chips, cracks, or other problems...

A wonderfully rendered pottery Staffordshire portrait bust of the philosopher John Locke. The name is incised on the back of this piece. Raised on a faux marble socle, the figure is effectively modelled and strongly colored. The condition is superb, with no chips, cracks, restoration, inpainting, or enamel loss. The whitish lines on his robe were intentionally done to highlight folds...

A beautiful creamware tureen and lid, probably Leeds, but possibly a Staffordshire factory. Of oval, quatrefoil shape with molded shell borders, scrolled handles, and a pomegranate finial, painted with turquoise and black enamel trim. An identical, undecorated example is shown in "Creamware and Other English Pottery at Temple Newsam House Leeds", item 331.

The overall condition of this wonderful example is excellent, with no cracks or chips...

A fine example from the Quadrupeds Series, manufactured, primarily for the American market, by John Hall between 1802 and 1832. This particular piece depicts the pronghorn antelope, with a beaver, otter, coyote, and raccoon in the cartouches at the edge of the plate. Marked on the reverse a printed "Hall Quadrupeds".

The plate is 8" in diameter and is in excellent condition, with no chips, cracks, or restoration, and having the desirable deep blue ripple glaze.

En suite with p1108.

A wonderful example of this well-known and highly collected historical Staffordshire scene. This plate is 6 3/4" in diameter, with the impressed Clews mark on the reverse...

An exceptionally wonderful example of this well-known and highly collected historical Staffordshire scene, with the added bonus of being in the very rare form of a shaped tray. This piece is 10" in length and 5 3/4" in width,with the impressed Clews mark on the reverse. The condition is superb, with deep rich color, high clarity, sparkling glaze, and no chips, cracks, scratches, or restoration. It is as fine an example as one could hope for.

The full title of the scene is "Landing of Gen. La...