Catalog: Antiques (578)

A beautifully executed American watercolor on paper portrait painting of a woman. The sitter has auburn curls and is dressed in an Empire style dress with wide lace collar, a paisley bordered shawl, white turban, and matching pearl and gem brooch and earrings. All the details are very finely limned.

The painting is in excellent condition, with no creases, tears, fading, or restoration. Sight size is 8" by 6 1/4", and the gilt molded frame size is 10" by 8 1/4".

A fine example from the Quadrupeds Series, manufactured, primarily for the American market, by John Hall between 1802 and 1832. This particular piece depicts the pronghorn antelope, with a beaver, otter, coyote, and raccoon in the cartouches at the edge of the plate. Marked on the reverse a printed "Hall Quadrupeds".

The plate is 8" in diameter and is in excellent condition, with no chips, cracks, or restoration, and having the desirable deep blue ripple glaze.

En suite with p1108.

A rare and wonderful American doll or child's bench, with a shaped crest rail over 3 spindles and a plank seat, with 6 turned legs. The crest rail and the seat are decorated with polychrome free-hand flowers...

A fine pottery dark blue and white Staffordshire platter, transfer printed in the "Birds and Fruit" pattern. Unmarked except for an impressed "12" on the reverse, but attributed to John Hall & Sons, Burslem, England.

The central scene features two birds amidst a panoply of fruit, including pears, strawberries, blackberries, grapes, etc. The cavetto and wide rim has a border of flowers and foliage...

A wonderful example of a creamware dish made by Sewell and Donkin of Newcastle (St. Anthony's until 1819). The painted central scene shows a dying patient receiving his unction above the motto "T Oliesel" (Last Rites), and is surrounded with a colorful floral border. The reverse of the dish has the partial impressed manufacturer's name.

The condition of this 10" diameter piece is excellent, with good color, no cracks, chips, or restoration...

The standard reference book for this type figure is "Staffordshire Portrait Figures of the Victorian Era" by P.D. Gordon Hugh. The figure offered here is so rare that the book does not even show an example, although it does have information about the history underlying it...

A tea cup, coffee cup, and saucer in Chamberlains Worcester pattern #153, gorgeously painted with roses and elaborate gilding. The bottom, of the saucer has an unusual gilded "P." mark.

The saucer has a 5 1/2" diameter, one cup is 2 1/2" tall with a rim diameter of 2 3/4" and a foot diameter of 2". The second cup is 2 5/8" tall with a rim diameter of 3 3/8" and a foot diameter of 2 1/4". Condition is excellent with no repairs or cracks. Some very minor tiny gilt losses...

A wonderfully rendered pottery Staffordshire portrait bust of the philosopher John Locke. The name is incised on the back of this piece. Raised on a faux marble socle, the figure is effectively modelled and strongly colored. The condition is superb, with no chips, cracks, restoration, inpainting, or enamel loss. The whitish lines on his robe were intentionally done to highlight folds...

A very fine and rare Bow porcelain chocolate cup with the "Golfer and Caddy" pattern. The cup of tall "U" Shape with a strap handle. The interior with a wavy border, the handle with a flowering plant, and the base with a "2" workman's mark.

The overall condition is excellent, with only an invisibly done museum quality repair to a small interior rim flake. This wonderful example looks much better in person than the photos show. Cup height is 2 7/8" with a 2 3/4" diameter.

This is an absolutely charming American folk art painting depicting an idyllic country scene. The work, done in oil on academy board, shows a woman with a sleeping child in the foreground, while in the central distance can be seen a group of building, above which are a richly colored sky and clouds. On the right is a small waterfall with a shepherd surrounded by sheep. The trees and foliage throughout the painting are limned in a whimsical folky style...

A fine and rare English Georgian period wine glass rinser, beautifully engraved with an armorial crest of a crowned leopard rampant. The rinser is in excellent condition, with no chips, cracks, or other flaws. It has a wide polished pontil and is 3 7/8" tall and 4 7/8" in diameter.

An uncommon and striking bowl in a deep Bristol blue color. The top rim is scalloped, the sides are step and panel cut, and the underside of the foot is radial cut. Excellent condition with a 5" bowl diameter and a 4" foot diameter.

A wonderful and rare southern folk art small watercolor on paper portrait of a gentleman, identified as Mr. Bunning on the reverse, along with the date of 1824. Examples of southern folk art are quite uncommon and highly sought after...

This is an extremely fine early 19th century balustroid wine glass made in the 18th century style. It is lead glass, and has a large funnel bowl which sits atop a triple ring collar, below which is a center section of an unusual and uncommon cylinder knop, followed by two angular knops. It has a conical folded foot with a rough, snapped pontil.

The glass is in perfect condition, with no restoration, and displays good tooling marks and striations throughout...

A wonderful example of this well-known and highly collected historical Staffordshire scene. This plate is 6 3/4" in diameter, with the impressed Clews mark on the reverse. The condition is superb, with deep color, high clarity, sparkling glaze, and no chips, cracks, scratches, or restoration. It is as fine an example as one could hope for.

The full title of the scene is "Landing of Gen...

A c1753 rare and highly desirable Chelsea Raised Anchor Period octagonal tea bowl painted by Jeffrey Hamet O'Neal (also spelled Jefferyes Hammett O'Neale and other variations). Highly detailed and beautifully decorated with a man standing by a barrel, and two other men with some kind of measuring stick. A building and foliage are in the background...

As mentioned for other similar items on the site, this type ware is often mistakenly referred to as Leeds and featheredge. In reality, many factories other than Leeds made items of this nature, and the type edge here is more properly called a molded edge. This particular plate was made by Riley, and is indicated as such with an impressed mark on the back. Being able to identify the maker does increase the value to some extent. Also, green-edged wares are considerably less common than blue.

Thi...

A fine little dish in what is often called Leeds feather edge. Accurately speaking, this is not a true Leeds feather edge piece, but is an English pearlware pickle leaf dish with blue edge decoration. The terms Leeds and feather edge are, unfortunately, generally misused to describe any piece of pottery with a decorated edge. What can be said about this piece is that it is of a beautiful form, with a delicate tracery of veins in its naturalistic modeling, and, contrary to virtually all dish...