Catalog (115)

A charming miniature portrait by Susan Penelope Rosse, executed in gouache on gesso-washed vellum or card. The sitter is a sweet looking girl with long hair, wearing a blue gown with white lace edging at the bodice. The case for the miniature deserves special mention, being a flip type made of testudines shell with gold mounts.

The painting is in quite fine condition, with no issues, as is the clever case. The sight size is 1 3/8" by 1 1/8".

BIOGRAPHICAL NOTE: Susan Penelope Rosse (or Rose) ...

A very fine miniature bust length silhouette on natural organic material by John Miers. The piece is signed along the left side of the bust line. As is usual with his best examples, this painting shows very finely executed bronzed work. The interior of the top is glazed with a hairwork enclosed. Sight size is 1 1/8" by 7/8", and the locket size is 1 1/4" by 1".

Both the miniature and the locket are in excellent condition, with no issues.

NOTE: The following are excerpts from two reference w...

A fine miniature portrait painting, on natural organic material, attributed, by two experts, to Joseph Saunders. The sitter is a young boy dressed in blue garb with gray trim. Condition is excellent, with no issues. The piece is actually much better in person than the photos indicate. Sight size is 2" by 1 1/2", while the frame (newer) is 3 1/4" by 2 3/4".

NOTE:Joseph Saunders (fl 1772-1811), considered to be a very fine artist, exhibited at the Free Society of Artists and the Society of Art...

A beautifully executed miniature portrait painting by Andrew Plimer, done on natural organic material. The sitter, an attractive woman with strong features, short curly chestnut hair, and gray eyes, is simply dressed in a white gown, and is shown against a beautiful blue sky and white cloud background. As is often the case with Plimer's miniatures at this period, it is somewhat idealized, and the strong nose and elongated neck are typical.

The miniature is in excellent condition, with no pr...

An excellent example of the work of David Gibson, signed, lower left, "Gibson 1793". The sitter is a woman wearing a gown with low decolletage and a green and yellow hat. She is posed looking pensively to the viewer's left.

The painting is in excellent condition, with no flaws to speak of, and is in a gilt metal pendant case. Sight size is 1 7/8" by 1 3/8", and the case size is 2" by 1 5/8".

NOTE: David Gibson (active 1788 - 1797) worked primarily in London and Edinburgh, with some sojourns ...

A beautifully painted miniature by Jeremiah Meyer. The sitter is a blue-eyed older woman wearing a lace cap, a white gown and scarf with a large ribbon at the neck, and a taupe shawl. The 15K gold case is another extraordinary work of art, blue foil backed glass, and the same on the reverse surrounding and centering an oval woven plait of hair.

Condition of the painting and case is superb, with no issues. Sight size is 2.4" by 1.8", while the case size is 4" by 2.8".

NOTES:
1. The photo...

A fine pair of miniature portraits, done in watercolor on wafer, by Ozias Humphry. They are mounted back to back in a gold case which has black and gold eglomise work on the cover glasses. The sitters are, purportedly by descent within the family, a Mr. and Mrs. Poole. The woman is attired in a white classic white gown and wears a bone comb in her hair. The man is in a blue jacket with gold buttons, and sports a white ruffled shirt and stock.

The condition of the paintings is excellent, with g...

Painted in watercolor on organic material, this fine example of Wood's work depicts an older man with blue eyes and pigtailed hair dressed in a black jacket with gold buttons, and a white vest and stock. Housed in its original case, with the glazed reverse having fancy hairwork over a on a white glass backing.

The painting is in excellent condition, with no cracks, bowing, or paint loss. the white area to the right of the sitter's head is intentionally done that way, and is not uncommon in som...

A fine miniature, painted in watercolor on natural material, by George Place. The subject is a rather jowly hazel-eyed fellow in liturgical garb. Housed in its original gold plated case.

The painting is in excellent condition with no issues. The black or white specs in the photo are only in the photograph. Size of the cased painting is 2 3/8" by 2".

NOTE: George Place (c1760 - 1805) was born in Ireland and studied there under F.R. West. By 1791 he was living in London and exhibited at t...

A well painted watercolor on natural wafer, signed on the backing paper by Louisa Freeman. The sitter, a gentleman of aristocratic bearing, is arrayed in the height of fashion for the period, sporting a black jacket, yellow vest, and white stock. Housed in an ebonized wood frame.

The condition of the frame and painting is excellent, with no issues to speak of. The sight size of the portrait is 2 5/8" by 2 1/8", with a framed size of 5" by 4 3/8".

A nicely done portrait miniature of a gentleman, executed in watercolor on natural organic material. Housed in its original ebonized wood frame which has an interesting musical motif as the hanger base.

No condition issues for either the painting or the frame. Sight size is 2 7/8" by 2 1/4", and the framed size is 4 3/4" by 4 1/4".

A charming pair of portraits of a brother and sister, painted in watercolor on natural material.

The condition of both paintings is excellent, with no issues. The gold case is also without problems. Sight size is 2 1/8" by 1 3/4", and the overall size is 2 3/8" by 1 7/8".

Signed J.J. and dated 1772 on the lower right, this watercolor on wafer shows an obviously well-off woman attired in the latest finery, and with an elaborate hairdo with a lace cap.

Excellent condition, with no flaws to speak of, and measuring 1 1/2" by 1 1/4". Housed, with a cover glass, in a velvet lined leather travel case measuring 2 1/2" by 2 1/4" when closed.

BIOGRAPHICAL NOTE: James Jennings of London (active 1763 - 1793) exhibited at the Society of Artists from 1763 to 1783, and was ...

A fine and charming portrait miniature with an unusual and exceptional reverse. The sitter is a sweet woman painted in an ethereal manner. She is wearing pearl earrings and a cream gown with a pair of roses at the low point of the neckline. There is a lace fichu with a double blue line at the border. The background is done in a grayish green color.

The case is of gilt floral form, with the reverse being testudines with a large inset area of sterling silver, the initials "GU" engraved in the ce...

A finely painted watercolor portrait of a good looking gentleman wearing a black jacket and a white shirt, stock and collar. The talented artist specifically painted the entire piece in shades of white, black, and gray. Note the way he used white highlighting on the left collar and shoulder of the sitter to give a sense of depth to the piece.

The back of this work deserves special mention as it is composed of a backing of metal guilloche. (Guilloche is a decorative technique in which a very pr...

A fine miniature portrait by Jeremiah Meyer, painted in watercolor on organic wafer. The sitter, an attractive woman with long brown hair, is simply presented in a teal gown, with no jewelry or other distractions from her natural beauty.

The painting has no cracks, chips, bowing, or restoration. The brass case is in fine condition with an unimportant dent in the back. The overall size is 1 7/8" by 1 5/8".

BIOGRAPHICAL NOTE: Born in Germany, and brought to England in 1749, Jeremiah Me...

An endearing small English or continental miniature of an attractive young woman with reddish-brown hair with a pearl clip, and wearing a blue and white gown with pearl decorations at the shoulders. The glazed reverse of the frame features hair in a basket weave pattern.

No condition issues to speak of. The length is 1 1/2" with a 1 1/4" width.

An exceedingly rare portrait miniature, done in watercolor on organic wafer, by John Miers (1756–1821) who was the most famous profilist or painter of silhouettes in Britain. (Actually, the term “silhouette” was not used until the 1830’s. Prior to that, black silhouettes were known as “shades,” “shadow portraits,” or “profiles.”) Although Miers was known to have done tens of thousands of shades, only a very few full color portrait miniatures are thought to exist.

The p...