The painting is in excellent condition, with no impainting or restoration...
Condition is excellent, with no problems. The sight size is 2" by 1 1/2", and the closed case size is 3" by 2 1/2".
The condition is excellent, with no issues whatsoever. The reverse of the case is lacking the surround and glazing to the aperture.
Note: Gillespie was active on the East Coast of North America, Baltimore, New York, and Philadelphia around the 1829-1838 time period...
The condition of the painting is excellent, with no chips, cracks, bowing, or restoration. This little gem is housed in its original cast bronze brooch, with a mother-of-pearl backing...
The condition is excellent, with no problems whatsoever. Sight size is 3 1/2" by 3".
The painting is 2 5/16" by 1 7/8", while the overall locket size is 2 1/2" by 2 1/8"...
The miniature is 2 inches by 1 1/2 inches sight size and the deep purple velvet-lined thermoplastic case it is in is 3 inches by 2 1/2 inches. The piece is in superb condition, with no cracks, chips, bowing, or inpainting...
The painting is in excellent condition, and is housed in its original silver and embossed tortoise shell frame. The shell portion has two unimportant splits, visible at 6 and 9 o'clock in the photo...
The miniature is in excellent condition, with no problems or restoration. The brass case is also without flaws. The photo of the back does appear to have blemishes, but these are label residues...
The artwork and the stunning original goldleafed wood antique frame are both in superb condition. Sight size is 12 1/2" by 8 3/4", and the framed size is 22" by 19".
The condition of the painting is excellent, with some scattered black speck...
Note how the artist, as naive as was his style, took care to magnify the use of certain features by highlighting them in various areas, such as using the blue background and the blue bow to go w...
BIOGRAPHICAL NOTE : Thomas Rathbone Manley (1853 - 1938), later referred to as "The Dean of the Montclair (NJ) Artists". Originally studying law, he realized his love was painting and enr...
Both the painting and the case are in excellent condition. The lower central section of the painting is not damaged, but was intentionally painted that way, possibly to indicate that the sitter has passed away.
BIOGRAPHICAL NOTE: Richard Morrell Staigg was born in England in 1817 and moved to the...
The painting, in a red leather traveling case, is in excellent condition, having a sight size of 2 1/2" by 2 1/8", and a closed case size of 3" by...
BIOGRAPHICAL NOTE: Melanie Bost (born ...
BIOGRAPHICAL NOTE: Thomas Seir Cummings was born in Englan...
BIOGRAPHICAL NOTE: Thomas Seir Cummings was born in England in 1804, and was taken to NYC as a child, where he remained until he retired in 1866. He died in NJ in 1894. Cummings became a student of Henry Inman in 1821 and after three years went into partnership with him, which lasted several years. Wi...
BIOGRAPHICAL NOTE: Sturgeon, active 1825-1835, is by no means a well-known artist in spite of having exhibited at the American Academy of Fine Arts in N.Y. He is also known to have work...
The painting is presente...
BIOGRAPHICAL NOTE: John Barry, who lived in London and was active from 1784 to 1827, exhibited at the Royal Academy during this period. Among his sitters was Rev. John Wesley, the founder of Methodism. Barry's works are in various museums, including ...
The condition of the miniatures is excellent, with no issues to speak of. Each is under glass, with card backing, gilt metal matting, and gilt foil edging. They are presented in a A.P. Critchlow & Co. case which still retains its original label and is also in excellent condition. Sight size of the paintings is 2...
The condition of the painting is excellent, with no flaws to speak of. The sight size is 2 1/2" by 2".
BIOGRAPHICAL NOTE: Julius Rubens Ames was born in Albany, NY ...
The overall condition is fine, with some tiny dust motes under the glass. The white areas circling the top half are reflections from the chamfered cover glass. Overall frame size is 2 1/4" by 2".
The sitter is Sir Dugald Stuart, 2nd Baronet of Ardmaleish and Bute and the painting is signed, dated and inscribed on the reverse: "From a drawing on/Vellum of Sir Dugald/Stuart, father of the first Earl of Bute;/in the possession of/the Marquess of Bute/at Mount Stuart/by H M. S. Stuart/Decbr 1841".
Presented in a rectangular ebonized frame, both the painting and ...
The painting is in excelle...










































