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The miniature is signed "R.C. Woolnough" and dated July 1816 on the backing paper. This is very interesting as there is ext...
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The painting is in excelle...
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The sitter is Sir Dugald Stuart, 2nd Baronet of Ardmaleish and Bute and the painting is signed, dated and inscribed on the reverse: "From a drawing on/Vellum of Sir Dugald/Stuart, father of the first Earl of Bute;/in the possession of/the Marquess of Bute/at Mount Stuart/by H M. S. Stuart/Decbr 1841".
Presented in a rectangular ebonized frame, both the painting and ...
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The sight size is 1 1/2" by 1 1/4". The condition of the paintings and case is excellent, with no apologies needed.
NOTE: The following are excerp...
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Both the miniature and the case are in excellent condition. Sight size of the piece is 2 3/8" by 1 7/8", with the case size being 2 9/16" b...
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This piece was sold in 1966 by Charles Woollett, a highly respected London art dealer, and wa...
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The painting is in superb condition, with no chips, cracks, bowing, or restoration. The sight size is 2" by 1 1/2" and the gold case is 2 3/16" by 1 3/4"....
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The case is in very good condition, wit...
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The condition of the miniature is excellent, with bright colors, no cracks, and no restoration. The duller areas along the edges are due to the way the light reflects off the curved edges. The early 19th century ormolu frame also is in fine condition. Sight size of the painting is 2 1/4" by 1 7/8", ...
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The painting and the original bronze frame are in excellent condition with no flaws or restoration. Sight size of the miniature is 2 3/4" by 2 1/4", with an overall size of 3 3/4" by ...
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Sale Pending
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The portrait is in a gold case which has been mounted on a 10K gold Victorian bracelet. The bracelet comes with its original blue silk lined leather case. The miniature, the case, and the ...
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The condition of the miniature and its case is excellent, with no problems. The overall size is 3" by 2 3/8".
BIOGRAPHICAL NOTE: William Grimaldi (1751 - 1830) was born in England and was the son of Alexander Grimaldi and...
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The condition of the case and painting is excellent, with no flaws. Sight size is 3" by 2 1/4", and the case size ...
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The condition of the painting and the case is excellent. Overall size is 1 7/8" by 1 5/8".
BIOGRAPHICAL NOTE: According to Foskett: "William Prewett (or Prewitt) (fl. 1735 - ...
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The condition of the full face painting is excellent, with no issues...
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The condition of the case and painting is excellent, with no flaws. (The white area at the right of the painting is due to light reflection in the photo.) The case size is 1 1/2" by 1 1/4".
BIOGRAPHICAL NOTE: ...
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There are no condition issues to speak of, with the darker area below her bust line intentionally painted in that manner. Housed in a red leather case without glazing, the size is 2 3/4" by 2 1/4".
BIOGRAPHICAL NOTE: Samuel Shelley (1750/56–1...
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The painting is in excellent condition, with no flaws (the white area on the left is light reflection), and is housed in its original gold bracelet slide case. The sight size is 1 1/2" by 1 1/4".
BIOGRAPHICAL NOTE: John Barry, who lived in London and was activ...
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There are no condition issues with the painting or the case. The discoloration along the top of the painting is light reflection. The size is 2" by 1 1/2".
BIOGRAPHICAL NOTE: Philippe Jean (1755-1802)was born in Saint Ouen, Jersey, the son of Nicholas Jean and Marie Grandin. He was at fi...
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Painted with watercolors on organic wafer, the miniature is housed iin a later case which is gold over silver (vermeil), and has hallmarks indicating it is sterling silver made in London with the maker's mark of JHP. Fine condi...
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The painting and the case are both in excellent condition with no issues at all. The case size is 1 5/8" by 1 3/8".
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The condition of the painting and the case is excellent. Sight size is 1 1/2" by 1 1/4", with an overall case size of 2 1/4" by 1 1/2".
BIOGRAPHICAL NOTE: Charles Robertson (c1760-1821)was born in Dublin and ...
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The condition of the painting is excellent. with no chips, cracks, paint loss or...
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The miniature is presented under glass in a high karat (15K or higher) gold case, the reverse of which is engraved with a half flowerhead above what appears to be the initials BEE. Below this is an engraved bee.
The condition of the miniature is excellent, with bright colors, no paint loss or cracks, and no restorat...
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SOLD
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The painting is beautifully presented, surrounded by a gilt metal bezel, outside of which is a plait of hair, the whole in a red leather travel case. The condi...
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The miniature is in superb condition, with no cracks, chips, warping, paint loss, or restoration. The case is also in excellent condition, with a fully glazed back over fabric. On the back glass, at the edge at 10:30 there is a small chip in the underside. The case size is 3" by...
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The condition of the miniature is excellent with no problems or flaws. The white area at the lower edge is light reflection. The size of the pendant gilt metal case is 1 7/8" by 1 1/2".
BIOGRAPHICAL NOTE: Peter Paul Lens (1714? - 1750?) was apprenticed in 1729 to his father, Bernard Lens...
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Excellent condition, with an overall size of 2 3/4" by 2 1/4".
BIOGRAPHICAL NOTE: Henry Jacob Burch was born in London in 1763. He entered the Royal Academy Schools at the age of 16, and exhibited at the Royal Academy from 1787 to 1834. Examples of his wor...
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The overall condition is fine, with some tiny dust motes under the glass. The white areas circling the top half are reflections from the chamfered cover glass. Overall frame size is 2 1/4" by 2".
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BIOGRAPHICAL NOTE: John Barry, who lived in London and was active from 1784 to 1827, exhibited at the Royal Academy during this period. Among his sitters was Rev. John Wesley, the founder of Methodism. Barry's works are in various museums, including ...