Catalog: Fine Art: Paintings (339)

A c1790 fine miniature done by John Barry. This portrait of a gentleman in a gray coat, with his powdered hair en queue, is an extremely well painted example, and in excellent condition. Presented in a 1 7/8" by 1 1/2" period gilt metal case.

BIOGRAPHICAL NOTE: John Barry, who lived in London and was active from 1784 to 1827, exhibited at the Royal Academy during this period. Among his sitters was Rev. John Wesley, the founder of Methodism...

A fine miniature portrait painting by the important artist John Carlin. This work shows a beautiful young woman posed simply in a white dress. Carlin obviously intended to have the viewer focus on her fine features and luminous eyes.

The painting is signed and dated on the reverse backing papers, and is housed in a brooch. The sight size is 1 5/16" by 1 1/8", and the brooch size is 1 3/4" by 1 1/2". Condition is excellent, with no chips, cracks, bowing or restoration...

A charming portrait miniature painted by John Carlin on organic material. The blue-eyed, brown-haired baby is dressed, in the custom of the time, in a white gown and cap.

The portrait is in excellent condition, with no chips, cracks, bowing, or restoration. The gold case is also in fine condition. Sight size of this gem is 1 3/8" by 1 1/8".

BIOGRAPHICAL NOTE: John Carlin (1813 - 1891) was born in Philadelphia...

A fine portrait miniature attributed to John Downman, although Charles Hayter is a secondary possibility. Simply attired in a white gown, and with powdered hair, the sitter is shown with a pensive and somewhat downcast expression. Presented in a gold frame, the glazed reverse having a plaited hair border and a hairwork wheat-sheaf with seed pearls on opalescent glass...

A superb double silhouette on natural organbic material, in a cast foliate locket, by John Field. One side is of a woman, the other of a man, wearing spectacles (highly unusual) and both are signed "John Field 111 Strand" along the lower edge of the bust line. These paintings display the finely executed bronzed work that was a hallmark of Field's.

The sight size is 1 1/2" by 1 1/4"...

A fine silhouette done in black and bronze gilt, of an older woman. Although unsigned, the work was unquestionably done by John Field. The reverse of the gilt metal case, which comes with its silk lined red leather travel case, has elaborate and tightly woven hairwork of two colors, indicating that one of them was hers, while the other was of a loved one.

Both the miniature and the case are in excellent condition...

A mourning portrait miniature attributed to John Henry Brown of an attractive young woman with blue eyes and long curly hair. The painting is in excellent condition with no problems. The velvet lined leather case is also in excellent condition, with normal and expected light wear to the exterior. The white flecks in the photographs are dust motes, and not present in person...

A fine miniature portrait painting, on natural organic material, done by John Alexander McDougall. The sitter is a distinguished gentleman dressed fashionably in a ruffled blue shirt, light blue vest, and black coat.

The miniature is in excellent condition, with no problems or restoration. The brass case is also without flaws. The photo of the back does appear to have blemishes, but these are label residues...

A very fine miniature bust length silhouette on natural organic material by John Miers. The piece is signed along the left side of the bust line. As is usual with his best examples, this painting shows very finely executed bronzed work. The interior of the top is glazed with a hairwork enclosed. Sight size is 1 1/8" by 7/8", and the locket size is 1 1/4" by 1"...

A watercolor on organic wafer, painted by John Smart, and initialed lower left, along with the date of 1797. The sitter is a young woman with brown curls and eyes. She is attired in a green and blue feathered cap, a white gown with lace on the collar, and a green sash.

The brushwork is impeccable, the texture and blush of the skin, the details of the eyes, the clarity of each hair, and the overall luminescence of this painting are stunning. Even when compared to the vast majority of Sma...

A fine miniature painting of a handsome young man attired in a dark blue jacket with black velvet lapels, a white stock and gray vest. Signed lower right "J.T." for John Turmeau. The miniature is in a gilt metal case, the elaborate reverse of which has a lock of hair with a faux pearl circlet and a cobalt glass shield, the whole displayed on a worked foil background, all under glass.

The condition of the miniature is quite good, with some craquelure showing on the jacket. The case has a raised...

A fine John Wesley Jarvis portrait miniature of a woman wearing a white mob cap and a modest white dress with lace collar and bow, the sitter presented against a stippled blue background. Housed in a period replacement red leather travel case with a somewhat illegible and later label on the back stating "Miniature of...Caldwell (Rachel Bishop?)...of...Pauses Webb."

The painting, with no bowing, cracks, or fading, is in very good condition. The sight size is 2 3/4" by 2 3/8".

BIOGRAPHI...

A miniature portrait painting by John Wood Dodge of a U.S. naval officer, his position as such identified by the scarf and silver buttons on his jacket. He is posed wearing his glasses, which is rarely seen in portraits. The backing paper of the ivory contains the following information in Dodge's hand:
"Painted by/John W. Dodge/Feb 1850/Natchez Miss".
Based on the detailed records that Dodge kept of his commissions, the sitter is one of three possible men - James Metcalf, David Ker, or Mr...

An extremely fine John Wood Dodge miniature portrait, done in watercolor on natural wafer. The sitter is a very handsome hazel-eyed young gentleman dressed in a white shirt and collar, with a black coat and osbaldeston cravat. The backing paper of the miniature is signed by Dodge as follows: "Painted by John W. Dodge Miniature Painter 42 Franklin St. New York Sept. 30th, 1836 Geo. C. Miller".

The miniature, as would be expected of Dodge's work, is superbly executed, and has no cracks, bo...

A fine miniature portrait painting, on natural organic material, attributed, by two experts, to Joseph Saunders. The sitter is a young boy dressed in blue garb with gray trim. Condition is excellent, with no issues. The piece is actually much better in person than the photos indicate. Sight size is 2" by 1 1/2", while the frame (newer) is 3 1/4" by 2 3/4".

NOTE:Joseph Saunders (fl 1772-1811), considered to be a very fine artist, exhibited at the Free Society of Artists and the Society of Art...

A rare miniature portrait by Leopold Unger, painted with watercolors on organic wafer. The sitter, a very attractive blue-eyed young woman with brown hair done in sausage curls, has a wistful or slightly sad expression on her face and in her eyes. She is in a black dress with black lace edging at the bodice, and is sitting in a brownish-red chair, holding a red book, and with a multicolored scarf draped over her arm.

The miniature is signed "P. Unger. px. 1839" along the lower left. The bac...

Painted by Louis Francois Aubry with watercolor and gouache on organic wafer, this portrait miniature combines the superb skills of the artist with the radiant beauty of a young woman. The sitter, with hazel eyes and curly black hair, is wearing a deep navy velvet jacket over a white dress with a fancy lace ruffled collar. Completing her ensemble is a long double looped gold chain. Note the shadow, on the white dress, of the bottom loop of the chain, exemplifying the care and evolved technique t...

A finely painted miniature portrait of a handsome dark-haired young gentleman in a blue jacket, and a white waistcoat and stock. Presented in a rolled gold case with a glazed reverse. Though unsigned, there is a taped pencil inscription with artist's name en verso.

The condition is excellent with no issues to speak of. The overall size is 2 3/8" by 2 1/8".

BIOGRAPHICAL NOTE: Louis-Marie Autissier (1772–1830), was born in Brittany, France. He joined the French Revolutionary army in 1791, le...

A beautiful and finely painted miniature portrait painting, done in watercolor on natural material, by Thomas Seir Cummings. The sitter is a very attractive woman wearing an academic or possibly a cleric gown, and a white lace and blue material cap. The frame, which is later, is a beautiful burl wood.

The sight size is 4" by 3", and the framed size is 6 1/2" by 5 1/2". Condition is excellent, with no cracks, chips, paint loss, bowing, or restoration. The slight disturbance along the botto...

A fine pair of miniature portrait paintings, on natural organic material, housed in a 1/6 plate daguerreotype case, which is embossed in a cartouche on the front and back "M.B. Brady Case Maker NY". Cases by Brady are highly desirable and avidly collected.

As to the wonderful portraits, the first is of a bewhiskered gentleman in a black jacket, vest, and stock, and a white pleated shirt. The woman is attired in a black pleated dress with lace edging, and a white lace cap. It is highly probabl...

A delightful c1908 miniature painted by Mildred E. Walker (listed in Who's Who of American Art as having worked in New York.) The young child has a mass of red hair, brown eyes, and is dressed in a blue blouse. The reverse of the gilt metal case identifies the sitter as "Spiky/Aged 3 years/October 1908." Artist signed along the left edge "Mildred E. Walker 1908."

The case size is 3" by 2 3/8". The condition of the painting is excellent, with the case having some wear and oxidation on t...

A portrait miniature of a young and handsome man unabashedly directly facing the viewer. He is dressed in the height of fashion, wearing a black jacket, light orange cravat (which nicely matches his hair), and a white vest. Presented in a gilt cast foliate case, the reverse of which features a glazed tightly woven field of plaited hair.

Because of the convex glass, the photos unfortunately show reflections, white streaks, dots, and shadows, none of which are in the miniature. The overall...

A very well executed miniature portrait painting of a gentleman, watercolor on natural organic material, by Edward Nash. The leather travel case states that the miniature was owned by Mrs. Thos. Higham. The miniature is in wonderful condition, but lacks an inner case to the travel case. The size is 2 13/16" by 2 5/16".

NOTE: Edward Nash (1778-1821), reportedly a hunchback, exhibited at the Royal Academy from 1800 to 1820. He lived for a while in the Lake District and knew Wordsworth, Coleridge...

A wonderfully painted miniature portrait, on natural organic material, of a young gentleman in a brown coat. The miniature is housed in its original gold bezel and brooch, with an elaborate monogram in gold on the reverse. The overall size is 2" by 1 5/8", and the painting and case are in excellent condition, with no problems. The discoloration in the photos is due to light refraction during scanning.

This piece was sold in 1966 by Charles Woollett, a highly respected London art dealer, and wa...

A fine miniature portrait painting, strongly attributed to Samuel Broadbent. The sitter is reputedly Michael Butler, founder of the Union News Company. The attribution is based on the heavy coloring used in the sitter's face, the positioning in the painting of the sitter, the background technique, and the similarity to the example in the Manney collection.

The painting is in excellent condition, with no cracks, bowing, or restoration. It is housed in what appears to be the original locket fram...

A nicely done portrait miniature of a gentleman, executed in watercolor on natural organic material. Housed in its original ebonized wood frame which has an interesting musical motif as the hanger base.

No condition issues for either the painting or the frame. Sight size is 2 7/8" by 2 1/4", and the framed size is 4 3/4" by 4 1/4".

A fine miniature portrait, watercolor on organic wafer, of a blue-eyed gentleman.

Excellent condition with no issues. Sight size is 2 1/4" by 1 7/8", with the period frame being 4 1/4" by 3 3/4".

A French portrait miniature of a woman done in watercolor on natural material. The sitter, clearly a woman of means,is dressed in au courant fashion in an elaborate white lace hat, a blue ribbon at her throat, and a white lace fichu over her blackish green dress.

On the backing of the painting is written in ink (at the time the painting was done) in French, the name of the sitter "Antoinette Francoise Garison," some other information, and that she was born on September 20, 1773 (see photo #4)...

An uncommon miniature portrait, done in oil on copper, of a member of a Scandinavian royal family. The gentleman, wearing a red coat and blue tunic, is shown 3/4 length in a field.

The condition is good, with some scattered small losses, and looks better in person than the photo shows. Presented in its beautiful original bronze frame. Sight size is 3 1/4" by 2 1/2" and the frame size is 5" by 4 1/4".

A stunning miniature portrait painting, watercolor on natural organic material, of a beautiful young girl with hazel eyes. The artist has painted the sitter with a background of clouds against a blue sky, often thought to denote that the piece was done as a mourning keepsake.

The condition of the painting is excellent, with no chips, cracks, bowing, or restoration. This little gem is housed in its original cast bronze brooch, with a mother-of-pearl backing. The sight size is 1 5/8" by 1...

A nicely rendered painting of a satyr and nymphs, a classical mythological motif, done in watercolor on natural wafer.

In overall very good condition with some minor paint loss at the very edge at the top left of the work. There is a very tight line on the center far right that does not affect any of the figures. The white area at the center bottom is due to light reflection and is not present when viewing in person. The original mahogany frame is in excellent condition, with a diameter of 4 1...

A beautifully drawn miniature on natural organic material portrait painting, attributed to Thomas Hazlehurst. The piece has a somewhat ethereal feel to it, with the sitter, in a gauzy white gown, and wearing a double strand of pearls, gazing rather wistfully at the viewer. The portrait is dated 1805, and while not signed, stylistically it would most likely would have been done either by Hazlehurst or John Barry. However, Barry used a different color palette for shading, and his facial brush stro...

A fine miniature, painted in watercolor on natural material, by George Place. The subject is a rather jowly hazel-eyed fellow in liturgical garb. Housed in its original gold plated case.

The painting is in excellent condition with no issues. The black or white specs in the photo are only in the photograph. Size of the cased painting is 2 3/8" by 2".

NOTE: George Place (c1760 - 1805) was born in Ireland and studied there under F.R. West. By 1791 he was living in London and exhibited at t...

A superb enamel on copper portrait miniature by Jean Andre Rouquet. The sitter, dressed in an embroidered red jacket, ia a royal personage, evidenced by the ermine trimmed robe or cloak on his lap.

The condition of the miniature is excellent, with bright colors, no cracks, and no restoration. The duller areas along the edges are due to the way the light reflects off the curved edges. The early 19th century ormolu frame also is in fine condition. Sight size of the painting is 2 1/4" by 1 7/8", ...

A beautifully executed miniature portrait painting, on natural organic wafer, signed and dated, lower left, "Legenvre 1813". The sitter is a nice looking young gentleman with curly hair and hazel eyes, wearing a dark blue coat, white shirt and ascot, and pink edged vest.

Condition is excellent, with no cracks, bowing, or restoration. A popular miniature painting format of the time was round, and it was not uncommon for the artist to do the painting on a rectangular wafer, and then do "artist...

An Italian miniature painting on natural wafer, Signed lower left "Mario Salvi". The sitter is identified, in the family history on the reverse, as Olivia Pia Salvi.

Olivia, a pretty young woman in a pale blue gown, is painted in a soft manner, with luminescent skin tones, as was the Italianate style of the time. The artist composed the painting very carefully, with the almost cloud-like hair framing the face and curling down to follow the neckline of her dress. He used her red lips as the fo...