Catalog (115)

A nicely painted miniature portrait of a blue-eyed older woman with a strong yet kindly bearing. To be more specific, the sitter is identified on the reverse as "Grandmother ??? Berry (Agnes Eman)  Bel??? Scotland".  Agnes is shown in a squared away pose, looking directly at the viewer, and with an expression indicating she might be wistfully revisiting  past memories. 

  The painting is in excellent condition, and presented in a 2 1/2" by 2" metal covered hand worked wood frame, almos...

A finely limned miniature of a woman wearing a lace edged black dress, a blue shawl, and gold earrings. In a 5" by 4 1/2" ebonized frame with a brass liner and a sight size of 2 1/8" by 1 3/4". Excellent condition.

A well painted miniature portrait, executed in watercolors on organic material. The sitter is a nice looking blue-eyed young man wearing a black coat and blue patterned waistcoat. Presented in what appears to be the original heavy cast gilt bronze frame.

There are no condition issues with the painting, and the sight size is 4 1/2" by 3 1/2" with an overall size of 6" by 5 1/4".

A wonderful pair of miniature portraits of two young near identical twin boys, painted on organic material. Although it might often be a decent bet that any attractive English portraits of young children done in this time period were by William Egley (joking, sort of) I cannot, in good conscience, make that attribution, so the artist will, at least for now, remain unidentified.

Possibly Scottish, and in excellent condition, each portrait has a sight size of 1 7/8" by 1 1/2". They are mou...

A good c1770 British miniature portrait of a older gentleman, with the artist having cleverly displayed the wrinkles of age. He is dressed simply in the style of the time, wearing a wig, a white stock, and a gray coat.

The condition of the painting is excellent, and the papier mache frame is also in good condition but with a nick at the top right edge. The sight size is 2 1/2" by 2", with a framed size of 4 5/8" by 4".

NOTE: For those of you who are new to collecting portrait miniat...

A beautifully painted c1810 miniature of an attractive woman, attributed to Thomas Hargreaves. Clearly well off, and  wearing a white lace bonnet and collar, a black dress, and a chatelaine, the sitter is posed on a red sofa in front of a dusky pale orange drapery. The skill of the artist is evident, even to how he carefully painted the dress material so that it is obvious that the fabric is silk.

Watercolor on organic wafer, the condition is excellent, with a sight size of  3 3/8" by 2...

A miniature of a beautiful young child who unfortunately passed away in 1798. The theme here is blue and white: in the clouds, in Harriet's eyes, and the ribbon in her hair. In contrast to that are the small areas where red makes its appearance: in the necklace, the child's lips and cheeks, and, to a lesser extent, in her hair.

The reverse of the case is engraved "Harriet Franklyn/B. 9 Oct 1795 D. 31 August 1798/Daughter of/Richard Franklyn/One of the Moneyers/of H. Mint, of Oxgate/Will...

A c1800 miniature, reasonably attributed to George Place. The silver shoulder belt plate indicates that the sitter was an officer in the 54th (West Norfolk) Regiment of Foot, c.1800 - 1810. The single epaulette on the right at this period shows he was an Ensign, Lieutenant, or Captain. The framed size of this piece, in its later frame with fabric backing, is 2 5/8" by 2 1/8". The white area at the top of the photo is a reflection.

BIOGRAPHICAL NOTE: Although his date of birth is not kno...

An incredibly sweet miniature done in watercolor on organic wafer. Posed against a background of a blue sky with clouds, foliage on the right, and a body of water on the left, the subject is a beautiful young girl with large eyes, golden curls, and rosy cheeks. The artist used her red lips and the sash of her embroidered dress to provide "pops" of color.

The condition of this gem is excellent, with only a very small spot of restoration at the water at the extreme edge at 8:00 o'clock. T...

A charming first half 19th centrury miniature of a young woman. The exceptional thing about this piece is the wonderful high karat gold flip case with guilloche work (engine turning) on the front and back. The painting in this little gem is 1 1/8" in diameter and the case is 1 1/2" in diameter. Excellent condition.

A miniature portrait of a handsome gentleman in a blue jacket with gold buttons. Presented in the original cast foliate case, the reverse having chessboard hairwork centered with "RD" initials in underlying gold topped with pearls.

Excellent condition with any apparent issues being due to my infamous photographic skills. The case size is 2 1/2" by 2".

A strong English portrait miniature on natural wafer that will cause you to see spots before your eyes. However, they are on a high-necked dress worn by this woman whose attire also features a cap or wide headband. The reverse of the 2 1/2" by 2 1/8" gilt metal case has interwoven plaits of hair. Excellent condition.

A nice portrait miniature of a handsome young clergyman, posed in front of drapery at his true right side. The painting is in a bronze surround set into a period ebonized wood frame. Excellent condition with a sight size of 3 1/4" by 2 1/2" and a frame size of 7" by 6 1/4".

A fine c1790 portrait miniature of a woman with a somewhat serious demeanor, wearing a white fichu with lace trim, her powdered hair beneath a white bonnet with blue bows. The painting is in a period gold bracelet clasp frame. Excellent condition with an overall size of 1 5/8" by 1 1/4".

A nice c1814 example of a Frederick Buck miniature of a woman in a blue dress. The backing of the mini has "Caroline ??? 1814". Presented in what might be the original frame, which measures 4 3/4" by 4 1/8". The sight size is 2 3/4" by 2 1/8". Excellent condition.

BIOGRAPHICAL NOTE: Frederick Buck, the younger brother of Adam Buck, was born in Cork in 1771, where he had a thriving practice as a miniaturist for an extended period. During the Peninsular War (1808 - 1814), when Cork was a bu...

An extremely fine depiction of an older woman, attributed to Charles Jagger, done in watercolor on natural wafer. Jagger was known to draw with a high degree of accuracy and talent, especially in the faces of his subjects, and that is certainly the case here. Also note the way the lace edges and the satin dress are highlighted. The condition of this 3 1/8" by 2 1/2" work is excellent, as is that of the period 5 1/4" by 4 5/8" wood frame.

BIOGRAPHICAL NOTE: Charles Jagger (c1770 - 1827)...

A striking and colorful R. Mills miniature portrait of a blue-eyed blonde woman. The subject is wearing a white gown with lace edging and balloon sleeves, a blue necklace and sash belt. Those colors nicely complement the carefully chosen background, which is blue with pink tinges, which also complements her ruddy or over-rouged cheeks.

The painting is signed on the backing paper "Painted by Rd Mills Birmingham 1829" and is housed in a 4 1/4" by 3 5/8" bronze frame. The painting itself mea...

A well executed miniature of an English gent. The reverse of the painting identifies the sitter as Thomas Sheppard, painted by W. Bate in 1802. Presented in an unusual gold painted frame with the miniature displayed in the diagonal direction. The condition of the miniature is excellent, with the inside rim of the frame having a "ding" at around 2:00 o'clock. Sight size is 2 7/8" by 2 3/8" with an overall size of 4 1/2" by 4 1/2".

BIOGRAPHICAL NOTE: There is not much known about William B...

A rare and signed portrait miniature by Charles Byrne. Done in an almost impressionistic style, the sitter is a blue-eyed woman simply presented in a white gown with fur trimming along the top edge. She is posed against a gauzy white background with blue tints to complement her eyes.

The miniature has a sight size of 2 1/2" by 2" and is in excellent condition. The backing paper of the painting has the following artist and sitter identifications: "Painted by / Ch Byrne / 1801 / Mary Lambor...

A nice English c1795 miniature of a gent wearing a white shirt and ascot, with a red waistcoat and black jacket. The reverse of the gilded metal case has a a central fabric section set into an opalescent surround over guilloche work. Excellent condition with an overall size of 2 5/8" by 2 1/8".

A portrait miniature of a young and handsome man unabashedly directly facing the viewer. He is dressed in the height of fashion, wearing a black jacket, light orange cravat (which nicely matches his hair), and a white vest. Presented in a gilt cast foliate case, the reverse of which features a glazed tightly woven field of plaited hair.

Because of the convex glass, the photos unfortunately show reflections, white streaks, dots, and shadows, none of which are in the miniature. The overall...

A fine c1751 miniature watercolor on natural wafer, signed and dated by J. Lacon. The sitter is wearing a décolleté white dress and a lace underslip. The trimming of the blue ribbons provides a pop of color and wonderful contrast to the rest of the painting. Presented in a gilt metal reeded frame with remnants of collection labels on the reverse. 1 7/8" by 1 1/2".

Lacon (fl. c1740 - 1760) worked in Bath, England, painting miniatures and water color portraits. He also owned a popular pup...

A fine portrait miniature attributed to John Downman, although Charles Hayter is a secondary possibility. Simply attired in a white gown, and with powdered hair, the sitter is shown with a pensive and somewhat downcast expression. Presented in a gold frame, the glazed reverse having a plaited hair border and a hairwork wheat-sheaf with seed pearls on opalescent glass. The condition is excellent, and the overall size is 3" by 2 3/8".

BIOGRAPHICAL NOTE: John Downman (1750 - 1824), born in W...

A fine miniature by Charles Dixon, signed "CD" and dated 1750. The subject is a gentleman with his hair tied back, wearing a blue coat, red waistcoat, and black stock. Presented in a gilt metal mount with bracelet clasp, measuring 1 3/8" by 1 1/8".

BIOGRAPHICAL NOTE: Information about Charles Dixon (fl 1748 - 1798) appears to be quite sparse, and there is not even certainty that his first name was Charles since those pieces he signed were done so with "CD". It is known that Benjamin Frankl...

A nicely done late 18th century miniature of a woman wearing a blue dress and white fichu, her powdered hair with an interwoven white ribbon. Presented in a gilt bracelet clasp mount. Excellent condition with an overall size of 1 3/8" by 1 1/8".

A well painted c1800 - 1812 miniature of a British officer. The sitter is wearing the uniform of a major general, with a red tunic, blue lapels and collar, and gold epaulettes and buttons. The miniature is signed lower left, with a somewhat indecipherable calligraphic monogram of "RM"?. Presented in a gilt metal frame with a bevelled blue glass back. Excellent condition, with an overall size of 2 1/2" by 2"

A nicely executed miniature portrait painted on organic wafer by Thomas Hull. The sitter is a blue-eyed gent in a blue coat, frilled chemise, and white waistcoat. Presented in a gilt metal frame with a collection label on the reverse.

The condition of the painting and the frame are excellent, with no issues. The dark areas at the edges of the painting are due to light refraction in the photos and do not appear in person. The overall size is 2 3/16" by 1 3/4".

BIOGRAPHICAL NOTE: Thom...

An excellently painted miniature portrait of a gentleman, rendered by Thomas Richmond in watercolor on organic wafer. The sitter, with powdered hair, is attired in a black coat, matching waistcoat, and a frilled white shirt and stock.

Presented in a gilt metal frame, with printed interior scene on the reverse. The condition is excellent, with strong colors and no issues. Any white specks in the photo are dust motes. The overall size is 2 5/8" by 2".

It should be mentioned that Richmond sign...

An exceedingly rare portrait miniature, done in watercolor on organic wafer, by John Miers (1756–1821) who was the most famous profilist or painter of silhouettes in Britain. (Actually, the term “silhouette” was not used until the 1830’s. Prior to that, black silhouettes were known as “shades,” “shadow portraits,” or “profiles.”) Although Miers was known to have done tens of thousands of shades, only a very few full color portrait miniatures are thought to exist.

The p...

An endearing small English or continental miniature of an attractive young woman with reddish-brown hair with a pearl clip, and wearing a blue and white gown with pearl decorations at the shoulders. The glazed reverse of the frame features hair in a basket weave pattern.

No condition issues to speak of. The length is 1 1/2" with a 1 1/4" width.

A fine miniature portrait by Jeremiah Meyer, painted in watercolor on organic wafer. The sitter, an attractive woman with long brown hair, is simply presented in a teal gown, with no jewelry or other distractions from her natural beauty.

The painting has no cracks, chips, bowing, or restoration. The brass case is in fine condition with an unimportant dent in the back. The overall size is 1 7/8" by 1 5/8".

BIOGRAPHICAL NOTE: Born in Germany, and brought to England in 1749, Jeremiah Me...

Black enamel on gold with central hair plait. Lettered on the front with "Memori" and initials. The reverse is engraved "Sarah Jackson Obt 20th Dec 1828 Aged 32 Also of Margaret Jackson Obt 8th Feb 1841 Aged 32".

Excellent condition, with a length of 1 11/16" and a width of 1 1/2".

Using watercolor on organic material, Francois Theodore Rochard painted this beautiful portrait of an attractive blue-eyed young woman with brown hair done ion sausage curls. The sitter, identified on a very old label on the rear of the frame, is Clara Stevens (?) age 18. She is posed against a wall with a climbing rose bush showing through a window to her left. Attired in a puffy-sleeved lace-edged white gown with a brooch below the bodice and a wide blue belt, she is also wearing a pink and bl...

A finely painted watercolor portrait of a good looking gentleman wearing a black jacket and a white shirt, stock and collar. The talented artist specifically painted the entire piece in shades of white, black, and gray. Note the way he used white highlighting on the left collar and shoulder of the sitter to give a sense of depth to the piece.

The back of this work deserves special mention as it is composed of a backing of metal guilloche. (Guilloche is a decorative technique in which a very pr...

A fine and charming portrait miniature with an unusual and exceptional reverse. The sitter is a sweet woman painted in an ethereal manner. She is wearing pearl earrings and a cream gown with a pair of roses at the low point of the neckline. There is a lace fichu with a double blue line at the border. The background is done in a grayish green color.

The case is of gilt floral form, with the reverse being testudines with a large inset area of sterling silver, the initials "GU" engraved in the ce...

A miniature painting of a lovely young woman attired in a double strand coral necklace and a blue gown with puffy sleeves and a pink flower at the waist sash. Excellent condition with no issues, and in a period black wood frame. Sight size is 3 1/2" by 2 7/8", and the framed size is 5 5/8" by 4 1/2".

NOTE: I have shown two full length photos as the background color varies somewhat depending on whether the painting is seen in natural, fluorescent, or incandescent lighting.

Signed J.J. and dated 1772 on the lower right, this watercolor on wafer shows an obviously well-off woman attired in the latest finery, and with an elaborate hairdo with a lace cap.

Excellent condition, with no flaws to speak of, and measuring 1 1/2" by 1 1/4". Housed, with a cover glass, in a velvet lined leather travel case measuring 2 1/2" by 2 1/4" when closed.

BIOGRAPHICAL NOTE: James Jennings of London (active 1763 - 1793) exhibited at the Society of Artists from 1763 to 1783, and was ...

A beautiful miniature portrait of a young man, done by William Egley. The painting is in a stickpin mounted elaborate gold case, with engraving on the reverse identifying the sitter as "John McDonnell Webb/August 1839". A plait of hair is in the glazed rear aperture.

Both the painting and case are in excellent condition, with no issues. The spots in the photos are due to external dust. Sight size is 1 5/8" by 1 1/4", with an overall size of 2" by 1 5/8".

BIOGRAPHICAL NOTE: William Egl...

A charming pair of portraits of a brother and sister, painted in watercolor on natural material.

The condition of both paintings is excellent, with no issues. The gold case is also without problems. Sight size is 2 1/8" by 1 3/4", and the overall size is 2 3/8" by 1 7/8".

A nicely done portrait miniature of a gentleman, executed in watercolor on natural organic material. Housed in its original ebonized wood frame which has an interesting musical motif as the hanger base.

No condition issues for either the painting or the frame. Sight size is 2 7/8" by 2 1/4", and the framed size is 4 3/4" by 4 1/4".

A nicely done watercolor in natural material portrait of a young woman. Complementing the blue background, the sitter is presented with blue eye shadow and a blue ribbon and bow in her hair. The glazed reverse of the gold filled case is covered with a nice display of woven hair plaits.

Condition is excellent, with a case size of 1 7/8" by 1 5/8".

A charming miniature portrait by Susan Penelope Rosse, executed in gouache on gesso-washed vellum or card. The sitter is a sweet looking girl with long hair, wearing a blue gown with white lace edging at the bodice. The case for the miniature deserves special mention, being a flip type made of testudines shell with gold mounts.

The painting is in quite fine condition, with no issues, as is the clever case. The sight size is 1 3/8" by 1 1/8".

BIOGRAPHICAL NOTE: Susan Penelope Rosse (or Rose) ...

A well painted watercolor on natural wafer, signed on the backing paper by Louisa Freeman. The sitter, a gentleman of aristocratic bearing, is arrayed in the height of fashion for the period, sporting a black jacket, yellow vest, and white stock. Housed in an ebonized wood frame.

The condition of the frame and painting is excellent, with no issues to speak of. The sight size of the portrait is 2 5/8" by 2 1/8", with a framed size of 5" by 4 3/8".

A fine miniature, painted in watercolor on natural material, by George Place. The subject is a rather jowly hazel-eyed fellow in liturgical garb. Housed in its original gold plated case.

The painting is in excellent condition with no issues. The black or white specs in the photo are only in the photograph. Size of the cased painting is 2 3/8" by 2".

NOTE: George Place (c1760 - 1805) was born in Ireland and studied there under F.R. West. By 1791 he was living in London and exhibited at t...

Painted in watercolor on organic material, this fine example of Wood's work depicts an older man with blue eyes and pigtailed hair dressed in a black jacket with gold buttons, and a white vest and stock. Housed in its original case, with the glazed reverse having fancy hairwork over a on a white glass backing.

The painting is in excellent condition, with no cracks, bowing, or paint loss. the white area to the right of the sitter's head is intentionally done that way, and is not uncommon in som...

A fine pair of miniature portraits, done in watercolor on wafer, by Ozias Humphry. They are mounted back to back in a gold case which has black and gold eglomise work on the cover glasses. The sitters are, purportedly by descent within the family, a Mr. and Mrs. Poole. The woman is attired in a white classic white gown and wears a bone comb in her hair. The man is in a blue jacket with gold buttons, and sports a white ruffled shirt and stock.

The condition of the paintings is excellent, with g...

A fine portrait miniature by William Charles Ross, executed in watercolor on natural organic material. The subject, a gentleman with receding brown hair and blue eyes, is fashionably attired in a brown jacket, white collar, black vest, shirt, and ascot, which sports a turquoise and gold stickpin. Ross' superb skill is evidenced by, among other things, the way he has limned the hair tones, the lifelike quality of the skin, eyes, and lips, the texturing of the different fabrics, and the jewel-like...

A beautifully painted miniature by Jeremiah Meyer. The sitter is a blue-eyed older woman wearing a lace cap, a white gown and scarf with a large ribbon at the neck, and a taupe shawl. The 15K gold case is another extraordinary work of art, blue foil backed glass, and the same on the reverse surrounding and centering an oval woven plait of hair.

Condition of the painting and case is superb, with no issues. Sight size is 2.4" by 1.8", while the case size is 4" by 2.8".

NOTES:
1. The photo...

A totally charming miniature painting of a child, done in watercolor on natural material, and housed in an elaborately molded 15K gold case and surround. The cute sitter is in a white gown and posed against a cloud-filled blue sky, with foliage and a tree to the right. The reverse of the case is glazed, with a lock of hair in the aperture, and a pin so that the miniature can be worn as a brooch.

The condition of this lovely example is excellent. Sight size is 2 1/4" by 2 1/8" and the case size...

An excellent example of the work of David Gibson, signed, lower left, "Gibson 1793". The sitter is a woman wearing a gown with low decolletage and a green and yellow hat. She is posed looking pensively to the viewer's left.

The painting is in excellent condition, with no flaws to speak of, and is in a gilt metal pendant case. Sight size is 1 7/8" by 1 3/8", and the case size is 2" by 1 5/8".

NOTE: David Gibson (active 1788 - 1797) worked primarily in London and Edinburgh, with some sojourns ...

A striking and strongly limned Andrew Plimer miniature portrait of Edward Buller Hicks, of the Royal Navy. He was promoted to lieutenant in 1812, and this portrait was most likely done at that time. In a later ebonized wood frame which nicely complements the piece. Both the painting and the frame are in excellent condition with no issues. Sight size is 2 7/8" by 2", and the framed size is 6 3/4" by 5 3/4".

Provenance: Elle Shushan and then to a NY collector.

Notes: 1. Edward Buller Hicks wa...

A beautifully executed miniature portrait painting by Andrew Plimer, done on natural organic material. The sitter, an attractive woman with strong features, short curly chestnut hair, and gray eyes, is simply dressed in a white gown, and is shown against a beautiful blue sky and white cloud background. As is often the case with Plimer's miniatures at this period, it is somewhat idealized, and the strong nose and elongated neck are typical.

The miniature is in excellent condition, with no pr...

A fine miniature portrait painting, on natural organic material, attributed, by two experts, to Joseph Saunders. The sitter is a young boy dressed in blue garb with gray trim. Condition is excellent, with no issues. The piece is actually much better in person than the photos indicate. Sight size is 2" by 1 1/2", while the frame (newer) is 3 1/4" by 2 3/4".

NOTE:Joseph Saunders (fl 1772-1811), considered to be a very fine artist, exhibited at the Free Society of Artists and the Society of Art...

A very fine miniature bust length silhouette on natural organic material by John Miers. The piece is signed along the left side of the bust line. As is usual with his best examples, this painting shows very finely executed bronzed work. The interior of the top is glazed with a hairwork enclosed. Sight size is 1 1/8" by 7/8", and the locket size is 1 1/4" by 1".

Both the miniature and the locket are in excellent condition, with no issues.

NOTE: The following are excerpts from two reference w...

A beautiful and charming portrait on porcelain, painted, and signed on the reverse, by the well-known English artist, William Corden. The sitter is a young girl in a pretty white dress trimmed in blue, with matching shoes and necklace. She is seated in front of a red drapery, holding a basket of flowers, with several scattered by her side on the chaise-longue. signed on the reverse. Mounted in a period, and probably original, gilt over gesso frame.

The sight size of this gem is 6 1/4" by 5 1/8...

A beautifully drawn miniature on natural organic material portrait painting, attributed to Thomas Hazlehurst. The piece has a somewhat ethereal feel to it, with the sitter, in a gauzy white gown, and wearing a double strand of pearls, gazing rather wistfully at the viewer. The portrait is dated 1805, and while not signed, stylistically it would most likely would have been done either by Hazlehurst or John Barry. However, Barry used a different color palette for shading, and his facial brush stro...

A striking c1790 miniature by Richard Cosway. The subject, a blue-eyed infantry officer with his hair en queue, is wearing a red jacket with a white epaulet, white trim, and cravat.

This portrait is a good study example as many of Cosway's techniques and style characteristics are present: use of floating transparent paints to allow the luminosity of the substrate to show through, enlargement of the pupils, massed hair as opposed to finer individual strands, a sky background using a stro...

A c1790 fine miniature done by John Barry. This portrait of a gentleman in a gray coat, with his powdered hair en queue, is an extremely well painted example, and in excellent condition. Presented in a 1 7/8" by 1 1/2" period gilt metal case.

BIOGRAPHICAL NOTE: John Barry, who lived in London and was active from 1784 to 1827, exhibited at the Royal Academy during this period. Among his sitters was Rev. John Wesley, the founder of Methodism. Barry's works are in various museums, including ...

A nicely executed watercolor, on natural material, of a gent in a black coat with white stock and ruffled shirt. Presented in the original gilt metal case with hair work under glazing on the reverse.

The overall condition is fine, with some tiny dust motes under the glass. The white areas circling the top half are reflections from the chamfered cover glass. Overall frame size is 2 1/4" by 2".

A very finely drawn miniature of an extremely handsome man, done en grisaille on organic material by H.M.S. Stuart.

The sitter is Sir Dugald Stuart, 2nd Baronet of Ardmaleish and Bute and the painting is signed, dated and inscribed on the reverse: "From a drawing on/Vellum of Sir Dugald/Stuart, father of the first Earl of Bute;/in the possession of/the Marquess of Bute/at Mount Stuart/by H M. S. Stuart/Decbr 1841".

Presented in a rectangular ebonized frame, both the painting and ...